2020.04.05 Palms or No Palms—Hosanna For Both

For Christians, this is the Sunday we remember the procession of Jesus into Jerusalem, surrounded by what Matthew’s gospel account describes as a large and clamoring crowd. (The biblical footnote indicates that “most”—only most—of the crowd followed him.) 

Jesus is astride a donkey. The crowds spread palms and cloaks in his path. They shout: “Hosanna to the son of David! Blessed is the one who comes in the name of the Lord! Hosanna in the highest heaven!” (Hosanna echoes psalm 118:26 and translates as “O save!")  Many exclamations points!

Jesus is the hoped-for Messiah who will change the world’s hidebound classist politics, bringing justice and peace. So they hoped. So we hope.

The donkey is a humble touch, resonant of the Nativity donkey, led by Joseph and carrying a very pregnant Mary. The couple seeks shelter for the birth. They’re too scruffy for any self-respecting inn to shelter, so they end up in a humble stable where Jesus is born and laid in a humble manger. No one could miss the exaggeratedly humble theme—altogether counter to traditional patriarchal images of Almighty God, then and now. Humble imagery still eludes us. It’s not dramatic or impressive. But, let’s face it, would a large majestic stallion tolerate the stable scene or the commotion of the palm procession? Stallions were for warriors. Not this king!

Hosanna isn’t the whole story, however. There are shadows underlying the bleached scene of joy. In Jerusalem, people say, basically: “Who the hell is this?” Then follows a violent scene in which Jesus overturns the usurious tables of greed in the temple, claiming the temple to be a house of prayer. Who is this intruder, acclaimed by unruly mobs, tearing down our business practices, and adulterating our holy ground? Jesus insults the status quo. Jesus assaults our assumptions.

In the rock opera,“Jesus Christ Superstar,” one lyric, beside wild Hosannas and hope-crazed longings, stands out:  “Jesus Christ, Superstar, do you think you’re what they say you are?” A question many still ponder. 

Palm Sunday in 2020 longs for Hosanna. The world is beset by a dangerous virus, ironically called Corona, spreading easily and rapidly. We are staying safely inside, fearful of human contact that could bring death. Hope of life and fear of death linger together in the air, just as they did in ancient times.

Here is what we hung on our front door this Palm Sunday: old dead palms with new green branchlets. In both, God’s grace emerges.

To be physically isolated one from another with no secure timeline about the dissipation of this virus is crazy-making. Back in the early 1980s, I wrote this poem when I was waiting—and waiting like the biblical Job— for the Episcopal Church to ordain me a priest.

When I have no title
    I make one up—irreverend.
When I have no collar
    I roll my neck round.
When I have no church
    I steeple my fingers.
When I have no altar
    I celebrate my back yard.
When I have no bloody wine
    I shed tears
When I have no bread
    I am a sacrament
When I have no God
    I pray anyway. 

Today, I feel the same suspended timelessness mixed with urgency and desire to be free AND well.

When I have no outdoors
    I clean my windows.
When I have no society
    I fight with my spouse.
When I have no fun
    I, well, never mind.
When I have no friendly faces at hand
    I look through my computer screen at pixelated images.
When I see mask-covered faces walking by
    I strain to see smiling eyes.
When I can’t dine out
    I lose weight and treasure my beloved personal spousal chef.
When I have no church
    I bring church on home.
When I pray to God to lift this curse
    I am not humble.

AMEN and HOSANNA!!