Showing posts with label memoir writing. Show all posts
Showing posts with label memoir writing. Show all posts

Sunday, April 19, 2020

2020.04.19 Cupcake

I first met Cupcake fifteen years ago in a memoir writing class. Her first read-aloud memoir piece had us all laughing out loud. She wrote about walking along some street in Boston when construction workers called out to her, “Hey Cupcake!” This classic wolf whistle put a spring in her step. With superbly sarcastic wit, Cupcake riffed on the many possible meanings of that appellation. I’ve called her “Cupcake” ever since.

One of the early class assignments was to design a cover for our memoir-to-be. Cupcakes’s cover, as I recall, showed an empty chair, such as one that would be placed at a dining room table. The chair was an image that evoked her feelings of isolation and exclusion in her family of origin.  Cupcake had hoped and prayed that her mother would, one day, set a place for her at the family table at which there was a place set for everyone but her. The mystery of why such cruelty happened is not mine to know, but I do know that Cupcake today would make sure that everyone, even a stranger, would have a place at her table and in her heart. 

I once told Cupcake that there was always a place for her at the Holy Communion altar-table of God. Like clockwork, every March 25th on the anniversary of my ordination as an Episcopal priest, Cupcake sends me a card to honor my anniversary. That would be lovely enough, but she also always includes a check! Usually it’s for $35, but this year it was for $50—possibly a raise for my advanced age.

A retired Boston school teacher who lives alone with two small dogs who don’t talk back or bite, Cupcake has a robust sense of humor and a gigantic heart—not extroverted but authentically truth-bound, a quality of soul ironically common in people who have survived profound early wounding. A lover of detail, Cupcake will often mention the orange dress with the flared skirt I wore on my ordination day underneath my liturgical vestments—myself a flirtatious potential “cupcake” at heart.

I recently asked Cupcake why she remembered my ordination anniversary in such a consistent way. She wrote this:
Psalm 110 tells us "thou art a priest forever."  Celebrating your anniversary is a small statement of who you are to me - Episcopal priest, counselor, teacher and friend. When I missed a writing group one day, you called to see how I was. My dog had been diagnosed with a terminal illness and I asked you to pray that God would give me the grace to get through the situation. And you did and I did.
When I heard of my ex-husband’s death, you were the only person who asked how I was doing. No one else has ever even hinted of his significance in my life.
I remember your ordination because you are always priestly to me.
I remember your ordination because Maya Angelou exhorted us to "try to be a rainbow in someone's cloud." 
You are my rainbow. 

 

I felt undeserving of all that praise until I remembered the popcorn. I’d once commented on how much I love popcorn. The next thing I knew a large carton full of individual bags of popcorn arrived at my doorstep. Too much! But this is Cupcake, a hopeless gift giver, generous to the point of embarrassment. Her joy in giving quickly erased my discomfort in receiving, along with my shrinking from the gift of praise. Cupcake knows how to keep Easter going, no matter what.

If Cupcakes’s own Roman Catholic tradition permitted the ordination of women priests, she would be one if she so desired. But she needs no pope, or archbishop, or brother priest to formalize what God has already planted in her soul—a priest forever in God’s sight.

Thank you, Cupcake.








Wednesday, August 28, 2013

2013.08.28 Proustian Spirituality

Recently some good old women friends and I were wondering as we do about those funny little lifts of soul we don’t quite know how to name or explain. Happification? Perhaps just being alone without noise is enough to help focus attention and actually see or hear what the world has to offer our senses. 

This is an excellent practice for writers. Just observe and drink in, then write. OR the reverse. Either way it makes for a good piece of writing, prose or poetry.  You just never know what the details will reveal, and I don't think it's the devil, who has mistakenly reported to be in the details.

One of my seminary professors back in the 80s said there were only three simple rules of prayer: STOP. LOOK. LISTEN. Same rules for a writer.

Marcel Proust had such a famously arresting moment, a  moment when details suddenly exploded to reveal, let's just say, a world beyond the world. The concentration of memoir writing can be a little like that.  Proust wrote about it in Remembrance of Things Past (1871) All it took was a pause.

Marcel tasted some cake with tea, which released a flood of memory and more, the kind of experience I call Godde: 

"I raised to my lips a spoonful of the tea in which I had soaked a morsel of the cake. No sooner had the warm liquid mixed with the crumbs touched my palate than a shudder ran through me and I stopped, intent upon the extraordinary thing that was happening to me. An exquisite pleasure had invaded my senses, something isolated, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory — this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me it was me. I had ceased now to feel mediocre, contingent, mortal. Whence could it have come to me, this all-powerful joy? I sensed that it was connected with the taste of the tea and the cake, but that it infinitely transcended those savours, could, no, indeed, be of the same nature. Whence did it come? What did it mean? How could I seize and apprehend it?"