The Pentecost beat goes on—and on, longest season of the church year. It’s Hers, the Holy Spirit's—all of it. (The Nicene Creed was written using the pronoun “he” for the Spirit, but revisions have toppled this unappealing three-men-on-top arrangement—to the good of humanity and divinity.)
I wrote a book about this Spirit back in 2001: The God Between Us: A Spirituality of Relationships. The God Between is energy, alive and vibrant in the spaces between us, relational spaces we imagine to be empty but which are really crackling with divine connective energy, pulling for healing and wholeness in a relationship or set of relationships.
GBU was published by Augsburg in 2001 and contains midrashim: stories about all kinds of relationships in the Bible—mother/daughter: Herodias and her dancing daughter, Salome, two close men: David and Jonathan, friends: Queen Esther and a palace eunuch, Adam and Eve, and my favorite story of all, “Idle Tale”: about the group of women who come at dawn to the tomb where Jesus has been buried. They come to anoint his body for burial.
Now you don’t imagine that all these women were silent, do you? They were women. They talked!—with humor and varying perspectives, about how they will get into the tomb, and further, how they will convince the men about the truth of what God has revealed to them—mere women, Godde help them. She does.
The principal character of the Bible isn’t God or humanity, it’s their relationship. They fall in love, they break up, they come back together. That’s the biblical pattern.
When couples came to see me for counseling, they usually arrived, each with a sharp, invisible finger pointed at the other: J’accuse! I listened to all the flak, trying not to take sides—not so easy. I could usually tell which relationships were going to make it, and they were not always the ones in which both people reiterated, “We love each other.” There was always a BUT, either before or after the love. Its volume and size told me how much work we all had to do to find the buried “love.” It was spade work.
As soon as I could, I told the couple that neither one of them was the client here. This was a show stopper. I told them that the client was their relationship—wounded and in need of healing. The deal was that we all would work together on it. We made playful metaphors of their relationship. What did it look like? Some relationships were suffering from too much distance—malnourished, a starving child. Others looked like roadkill, beaten down and bleeding because too much anger and blame was dumped upon them all the time. Some were simply lop-sided:one side deflated as if one person had stopped holding up their end—flat tire. Both people let go: orphaned.
It helped if the couple had a sense of humor. It also helped if they were willing to pray for their relationship, rather than simply for self or other to change, i.e. be more this or that—or less.
My book is out of print, but my idea is not dead. Recently, I was thrilled to see it repackaged by no less than an Oxford scholar, John Hare, theology professor at Yale, in an essay: “The Third Life: The Life that is Between Us.” He wrote about unity in Christ and cited a John Donne (17th century metaphysical poet) poem called “Ecstasy” in which love with one another interinanimates two souls. Now that’s no typo; it’s my type of word.
Hare writes: “The central idea here lies in this word which Donne made up, ‘interinanimates,’ which means, ‘puts a soul, or anima, into, in, the space between, inter, two people, inter-in-animates, so that there is not just my life and your life but the life that is between us, and this third life is stronger, abler than either of our lives on its own.” (Italics mine)
I was delighted to see my God Between again—reincarnated and clothed with a grand new word: interinanimator. My couples would cringe at such abstraction, of course. They would say that their therapist had gone nuts. They would be right, and we would have a hearty interinanimating laugh together—thanks to the God Between Us.
Sunday, May 29, 2016
Sunday, May 22, 2016
2016.05.22 Trinity Mystery
We live in a Mystery we do not understand, and we are grateful.
People say the Holy Trinity is a mystery, and so it is. But that doesn’t mean I do not keep on trying to understand it anyway. I am a wondering person. Possibly, I should be more afraid or humble, but I’m neither very well.
With divine mystery everything is up for grabs and too deep to measure. Nevertheless . . . the early Christians discerned a Divinity they called 3 in 1 and 1 in 3. Easy peasy, right? They experienced the ONE God as cosmic, close, and connected—all at once. This they called Father, Son, and Holy Ghost and turned it into a doctrine about the triune nature of God. There followed creeds and liturgies and fights. Holy Writ was born—and a formula of blessing for all things holy.
Over time calcification set in and the original experience was robbed of its brilliance. But not entirely. Wondering people, great and small, continued to come up with bright ideas for the Mystery we do not understand and for which we are grateful.
St. Augustine Lover, Beloved, and Love itself.
God loves everyone as if each were all
Bernard of Clairvaux Love of self for self’s sake
Love of God for self’s sake
Love of God for God’s sake
Love of self for God’s sake
Jesus “I still have many things to say to you, but you cannot bear them now. . .
the Spirit of Truth will guide you into all truth . . . (John 16: 12-15)
Emily Dickinson Tell all the truth but tell it slant -
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
Douglas Witte, organist and music director, St. John’s Episcopal, Charlestown
“The three section ‘Piece d’Orgue’ is Bach’s meditation on the idea of the Trinity. The first section consists of a single voice executing a fleet series of three note figures. This represents God, three persons in one, and the non-stop nature of the section is omnipresence.”
Lyn G. Brakeman, priest and author
Author, Book, Readers.
The Author has a grand idea deep within;
She muses upon it, ripens it, and writes it down in a Book;
Readers read the book, digest it, and spread the idea, according to their own styles
The author dies, the book goes out of print, readers forget. The Idea lives on.
People say the Holy Trinity is a mystery, and so it is. But that doesn’t mean I do not keep on trying to understand it anyway. I am a wondering person. Possibly, I should be more afraid or humble, but I’m neither very well.
With divine mystery everything is up for grabs and too deep to measure. Nevertheless . . . the early Christians discerned a Divinity they called 3 in 1 and 1 in 3. Easy peasy, right? They experienced the ONE God as cosmic, close, and connected—all at once. This they called Father, Son, and Holy Ghost and turned it into a doctrine about the triune nature of God. There followed creeds and liturgies and fights. Holy Writ was born—and a formula of blessing for all things holy.
Over time calcification set in and the original experience was robbed of its brilliance. But not entirely. Wondering people, great and small, continued to come up with bright ideas for the Mystery we do not understand and for which we are grateful.
St. Augustine Lover, Beloved, and Love itself.
God loves everyone as if each were all
Bernard of Clairvaux Love of self for self’s sake
Love of God for self’s sake
Love of God for God’s sake
Love of self for God’s sake
Jesus “I still have many things to say to you, but you cannot bear them now. . .
the Spirit of Truth will guide you into all truth . . . (John 16: 12-15)
Emily Dickinson Tell all the truth but tell it slant -
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
Douglas Witte, organist and music director, St. John’s Episcopal, Charlestown
“The three section ‘Piece d’Orgue’ is Bach’s meditation on the idea of the Trinity. The first section consists of a single voice executing a fleet series of three note figures. This represents God, three persons in one, and the non-stop nature of the section is omnipresence.”
Lyn G. Brakeman, priest and author
Author, Book, Readers.
The Author has a grand idea deep within;
She muses upon it, ripens it, and writes it down in a Book;
Readers read the book, digest it, and spread the idea, according to their own styles
The author dies, the book goes out of print, readers forget. The Idea lives on.
Sunday, May 15, 2016
2016.08.05 A Pentecostal Family Weekend
I just got home from a family weekend. The term alone—“family weekend”—conjures up about every reaction, from groaning dread to breathy hope. Such occasions are archetypal—fondest hopes and worst nightmares inextricably bound. Many hilarious movies have been made about THE family weekend.
Our family is normally abnormal: mom, stepfather ( already not the “real” thing”), 2 daughters, 2 sons, 2 daughters-in-law, one son-in law, five grandchildren, aged 16 to 2, a teenage friend, and four dogs.
Our family weekends used to be more frequent. We’d relapsed for good reasons, and now we were trying it again. It was my idea. I’d thrown out the suggestion gingerly—the understanding mom to perfection. Waffling doesn’t get very far, so I persisted. “Does this mean a lot to you, Mom?” someone asked. “This means the world to me,” I said, for once omitting: “BUT I understand how busy you all are.”
We set our rules: a date in spring all of us could make, a place that would accommodate 15, no more than 4 hours away for any of us, with 5 bedrooms (not all bunk rooms) with bathrooms, a comfortable gathering space, functional kitchen, and affordable. My son researched and reported back his findings with online sites we all could inspect.
I had high hopes for this weekend. My mind was cautious. My heart had thrown caution to the winds and beyond.
Miracle #1: he found us a place in N.H. that met all our requirements + a working fireplace. Miracle #2: everyone weighed in favorably. Only one granddaughter couldn’t come, and we missed her. Miracle #3 took more time: collecting the rent from everyone. Miracle#4: grim, cold weather turned sunny on Saturday.
Miracle #5: The weekend was everything I’d hoped for, despite an infestation of ticks, several mice, a rustic ski lodge, OLD and used, full of holes, but clean and spacious, some loss of sleep the first night. I slept like a baby. The actual baby, at first, did not.
We laughed like crazy, loved each other like crazy, ate together, played rousing games, engaged in some quiet serious conversations as well as in raucous clowning, including an inflated golden crown for anyone who said anything silly or stupid. Here we are: The Glorious Frontenac Ski Lodge Gaggle, minus the bear, the ticks, and the mouse.
On the way home most of us texted back and forth, extending the humor and good feeling of the weekend. I wrote: “No ticks or mice can daunt love. AND it’s Pentecost/Holy Spirit Sunday. We felt some of her stuff.” A text flew back: “Church nerd?” All of this was accompanied by many creative emoticons, including ones of ticks and mice.
I guess we know each other well enough at last to appreciate, not just tolerate, individual quirks and differences. You laugh like crazy and come away crying. Family weekend are mixed blessings which are essential to your soul.
And yes, when the real world settles back in on everyone's shoulders, all of its pains and are still there. Still, we made a memory worth remembering. No one can take that away.
P.S. On Monday morning Dick, known as Sim and Grampy Sim, was getting dressed when I spied a small black thing on the back of his right leg. I yelped and told him to hold still, which he found hard to do, being "in a hurry." Sure enough, it was a TICK, a N.H. tick who had followed us home. How sweet. I plucked the tick off and she or he is not in sewer heaven. (Thank Godde we don't have a dog!) We wept with laughter.
Our family is normally abnormal: mom, stepfather ( already not the “real” thing”), 2 daughters, 2 sons, 2 daughters-in-law, one son-in law, five grandchildren, aged 16 to 2, a teenage friend, and four dogs.
Our family weekends used to be more frequent. We’d relapsed for good reasons, and now we were trying it again. It was my idea. I’d thrown out the suggestion gingerly—the understanding mom to perfection. Waffling doesn’t get very far, so I persisted. “Does this mean a lot to you, Mom?” someone asked. “This means the world to me,” I said, for once omitting: “BUT I understand how busy you all are.”
We set our rules: a date in spring all of us could make, a place that would accommodate 15, no more than 4 hours away for any of us, with 5 bedrooms (not all bunk rooms) with bathrooms, a comfortable gathering space, functional kitchen, and affordable. My son researched and reported back his findings with online sites we all could inspect.
I had high hopes for this weekend. My mind was cautious. My heart had thrown caution to the winds and beyond.
Miracle #1: he found us a place in N.H. that met all our requirements + a working fireplace. Miracle #2: everyone weighed in favorably. Only one granddaughter couldn’t come, and we missed her. Miracle #3 took more time: collecting the rent from everyone. Miracle#4: grim, cold weather turned sunny on Saturday.
Miracle #5: The weekend was everything I’d hoped for, despite an infestation of ticks, several mice, a rustic ski lodge, OLD and used, full of holes, but clean and spacious, some loss of sleep the first night. I slept like a baby. The actual baby, at first, did not.
We laughed like crazy, loved each other like crazy, ate together, played rousing games, engaged in some quiet serious conversations as well as in raucous clowning, including an inflated golden crown for anyone who said anything silly or stupid. Here we are: The Glorious Frontenac Ski Lodge Gaggle, minus the bear, the ticks, and the mouse.
On the way home most of us texted back and forth, extending the humor and good feeling of the weekend. I wrote: “No ticks or mice can daunt love. AND it’s Pentecost/Holy Spirit Sunday. We felt some of her stuff.” A text flew back: “Church nerd?” All of this was accompanied by many creative emoticons, including ones of ticks and mice.
I guess we know each other well enough at last to appreciate, not just tolerate, individual quirks and differences. You laugh like crazy and come away crying. Family weekend are mixed blessings which are essential to your soul.
And yes, when the real world settles back in on everyone's shoulders, all of its pains and are still there. Still, we made a memory worth remembering. No one can take that away.
P.S. On Monday morning Dick, known as Sim and Grampy Sim, was getting dressed when I spied a small black thing on the back of his right leg. I yelped and told him to hold still, which he found hard to do, being "in a hurry." Sure enough, it was a TICK, a N.H. tick who had followed us home. How sweet. I plucked the tick off and she or he is not in sewer heaven. (Thank Godde we don't have a dog!) We wept with laughter.
Labels:
family weekend,
Frontenac Lodge,
Pentecost,
Plymouth N.H.,
ticks
Sunday, May 8, 2016
2016.0508 Sweet Mothering Energy of God and Prayer
I open my eyes each day to images of my children. I murmur: “Dear God, fill me with your love and grace and bless my children, (I name each one) with grace, power, faith, love, and peace. I consecrate myself to thee for their sake they they too may be consecrated in truth—thy word is truth.”
I lifted some words out of Jesus’s farewell prayer in John 17. I don’t pray them so my kids will go to church, although that’s not a bad idea. I pray them that they may know deeply the sweet mothering energy of God in their lives. My children are the soul of my heart.
From the New Testament writings of the Johannine community, I know that the divine mothering energy of God is not restricted to women or biological mothers. Jesus prayed for his “children." They remembered that he prayed for them, and for all of us: I in you and you in me and we in them and all are one—an unbreakable net of en-wombing love—sweet mothering energy of God.
I confess I find our Sunday intercessions to be flat. One person recites and, for the most part, no one prays, or has time to collect their prayers. Perhaps we should simply paraphrase Jesus’s great intercessory plea that we all be one, because we all are in God, say it, then leave a long contemplative silence to let it sink in.
When I kneel at my home altar, I focus on an icon of Mary with Jesus her child. To me it is beautiful, though it’s not. It’s an aging, faded print in a scratched plastic frame which has lost all capacity to stand erect on its own. I pray to Mary: “Sweet mothering energy of God come into the world with wisdom, encouragement and nurture.” These three: wisdom from the mother-root, not just advice, encouragement from its Latin root meaning“heart,” and nurture—feeding, cherishing. Occasionally these three come together in one moment, and everything changes.
My son John recently told me of such a time for him. He was a young man lying in a hospital gravely ill and awaiting surgery. He said he heard me and another woman reciting Psalm 23 at his bedside. He suddenly felt sure he would live, wanted to live. I have no recollection of such an incident.
Everyone has the capacity to mother and all of us have mothered. Everyone knows what a hard job it is to mother: to slither back and forth between the strong desire to hold close, protect and save and the strong desire to let the beloved be free to grow and go forth to find their own way—or at least get outta your hair.
I learned a lot about divine mothering love and prayer from Mary. Mothering Jesus had to be hell. He was always in trouble, much of it dire and all of it serving God, not his family. Mary doesn’t play a big role in biblical story. I bet that’s because she was all the time in prayer for Jesus. I bet she taught him to pray, and I bet her prayers made it into his heart, bringing wisdom, courage and nurture.
I first met Mary in Spain where I spent time in the early 1960s with two families, one in Madrid and the other in Santander—then a smallish fishing town in northern Spain…..now my bank. In Spain, Mary was more popular than Jesus. I spent much time kneeling on concrete-hard kneelers praying to María. I internalized the popular piety. It filled some emptiness in my religious soul.
I realized what a loss many Protestant churches have suffered by cleansing their worship, sanctuaries, and prayers of Mary. It is a loss to the full image of divine love.
The Santander Señora was a small woman, a dynamo of religious faith and a fiercely loving madre. Nightly, she’d clap her hands, tiny shofars summoning the family to prayers. We all jumped to attention and hurried to the dining table where we stood around as she prayed aloud—the evening dose of wisdom, encouragement and nurture. All the children were named some version of María: Mari Pilar (after the Virgen de Pilar) whom we called Pili, Marisuca, and a son, Josemari, a twofer combination of José and María (Joseph and Mary.) Suca was the nun-designate, quiet, pious and impish. Pili was wild and free and destined for multiple motherhood. I think Josemari was destined for the care of Mama—till death would them part. All our prayers were to Mary.
In Spain I fell in love with Mary. I came to know her as a primary mediator of the sweet mothering energy of God. From Mary/María, I learned, too, how hard mothering love can be—how hard it is for God. Sometimes you have to stand by and watch your beloved suffer.
I lifted some words out of Jesus’s farewell prayer in John 17. I don’t pray them so my kids will go to church, although that’s not a bad idea. I pray them that they may know deeply the sweet mothering energy of God in their lives. My children are the soul of my heart.
From the New Testament writings of the Johannine community, I know that the divine mothering energy of God is not restricted to women or biological mothers. Jesus prayed for his “children." They remembered that he prayed for them, and for all of us: I in you and you in me and we in them and all are one—an unbreakable net of en-wombing love—sweet mothering energy of God.
I confess I find our Sunday intercessions to be flat. One person recites and, for the most part, no one prays, or has time to collect their prayers. Perhaps we should simply paraphrase Jesus’s great intercessory plea that we all be one, because we all are in God, say it, then leave a long contemplative silence to let it sink in.
When I kneel at my home altar, I focus on an icon of Mary with Jesus her child. To me it is beautiful, though it’s not. It’s an aging, faded print in a scratched plastic frame which has lost all capacity to stand erect on its own. I pray to Mary: “Sweet mothering energy of God come into the world with wisdom, encouragement and nurture.” These three: wisdom from the mother-root, not just advice, encouragement from its Latin root meaning“heart,” and nurture—feeding, cherishing. Occasionally these three come together in one moment, and everything changes.
My son John recently told me of such a time for him. He was a young man lying in a hospital gravely ill and awaiting surgery. He said he heard me and another woman reciting Psalm 23 at his bedside. He suddenly felt sure he would live, wanted to live. I have no recollection of such an incident.
Everyone has the capacity to mother and all of us have mothered. Everyone knows what a hard job it is to mother: to slither back and forth between the strong desire to hold close, protect and save and the strong desire to let the beloved be free to grow and go forth to find their own way—or at least get outta your hair.
I learned a lot about divine mothering love and prayer from Mary. Mothering Jesus had to be hell. He was always in trouble, much of it dire and all of it serving God, not his family. Mary doesn’t play a big role in biblical story. I bet that’s because she was all the time in prayer for Jesus. I bet she taught him to pray, and I bet her prayers made it into his heart, bringing wisdom, courage and nurture.
I first met Mary in Spain where I spent time in the early 1960s with two families, one in Madrid and the other in Santander—then a smallish fishing town in northern Spain…..now my bank. In Spain, Mary was more popular than Jesus. I spent much time kneeling on concrete-hard kneelers praying to María. I internalized the popular piety. It filled some emptiness in my religious soul.
I realized what a loss many Protestant churches have suffered by cleansing their worship, sanctuaries, and prayers of Mary. It is a loss to the full image of divine love.
The Santander Señora was a small woman, a dynamo of religious faith and a fiercely loving madre. Nightly, she’d clap her hands, tiny shofars summoning the family to prayers. We all jumped to attention and hurried to the dining table where we stood around as she prayed aloud—the evening dose of wisdom, encouragement and nurture. All the children were named some version of María: Mari Pilar (after the Virgen de Pilar) whom we called Pili, Marisuca, and a son, Josemari, a twofer combination of José and María (Joseph and Mary.) Suca was the nun-designate, quiet, pious and impish. Pili was wild and free and destined for multiple motherhood. I think Josemari was destined for the care of Mama—till death would them part. All our prayers were to Mary.
In Spain I fell in love with Mary. I came to know her as a primary mediator of the sweet mothering energy of God. From Mary/María, I learned, too, how hard mothering love can be—how hard it is for God. Sometimes you have to stand by and watch your beloved suffer.
Sunday, May 1, 2016
2016.05.01 Psalm 23—Song of Presence
There is something eternal about Psalm 23. Not only is it traditional and the choice for young children to memorize, but it is used most always at funerals or at bedsides—times of dire need, times when the temptation to despair is close at hand.
The psalm is apolitical. Of all the omni- ideas about the nature of God, this song offers only one: omnipresence. There is no circumstance in and around which God is not fully present—as simple comfort. Comfort is not impotent. It imparts love, raises up the spirit. My son John recalls a time when his spirit was beaten by serious illness and the psalm was prayer over him. He describes an inner sense of decisiveness: he wanted to live not die.
Psalm 23 trusts this kind of unbearably unbelievable, insanely bold, irrational assurance, reinforcing it with graphic biblical and sacramental practices, familiar to religious communities, both then and now.
I don’t know any practicing shepherds, but I understand pastoral spirituality as the gift of empathy and accompaniment, even more than guidance. I cringe when I hear clergy speaking about their congregations as “flock.” This does not bespeak mutual ministry. I do, however, know the experiences of lush meadows and calm waters, wise leadership, the shadow of death, and sacramental grace.
The psalms are part of the Hebrew Scriptures. They are prayers arising from common human experience. In addition to providing a bridge between Judaism and Christianity, most psalms transcend religious particularities. They are songs arising from deep within the human breast, which is why they are a liturgical staple, chanted in worship.
Some years ago, I heard Rabbi Harold Kushner, author of When Bad Things Happen To Good People, speak about this psalm. He emphasized the grammatical shift in the psalm/prayer. It occurs just as the pray-er enters the “valley of the shadow of death.” The pronouns shift from "he" to "thou" from God's serving the supplicant in soothing ways to God's becoming suddenly close and familiar through the use of the second person singular familiar address: you or thou.
Kushner’s son suffered from progeria—accelerated aging, even as a child. Not only is it fatal but it is painfully disfiguring and pathologically counter-cultural. With such a diagnosis, one needs a solid theology of Presence. Kushner wrote about his decision to, well, disempower God—a wise and earthed theology. Most of us maintain a very controlling, intervening idea of God, which escalates when we are in trouble. We want God to make it all better, to intervene in miraculous ways. This seldom happens. What consistently does happen, however, is what the 23rd psalm suggests with its grammatical shift: increased intimacy.
In newer English translations, we lost this awakening sense of divine movement by changing all the pronouns from “he” to “you” immediately after the first couplet. Further, we eliminated all thee/thou/thy language. In most cases I’d favor that, but here the old translation and the old pronoun forms assist the theology: Thou art with me. Lovely, no? It makes me cry.
The Lord is my shepherd;
I shall not want.
He maketh me to lie down in green pastures;
he leadeth me beside the still waters.
He restoreth my soul;
he leadeth me in the paths of righteousness for his Name’s sake.
Yea, though I walk through the valley of the shadow of death,
I will fear no evil;
for thou art with me;
thy rod and thy staff they comfort me.
Thou preparest a table before me in the presence of mine enemies;
thou anoinest my head with oil;
my cup runneth over.
Surely goodness and mercy shall follow me all the days of my life,
and I will dwell in the house of the Lord for ever.
The psalm is apolitical. Of all the omni- ideas about the nature of God, this song offers only one: omnipresence. There is no circumstance in and around which God is not fully present—as simple comfort. Comfort is not impotent. It imparts love, raises up the spirit. My son John recalls a time when his spirit was beaten by serious illness and the psalm was prayer over him. He describes an inner sense of decisiveness: he wanted to live not die.
Psalm 23 trusts this kind of unbearably unbelievable, insanely bold, irrational assurance, reinforcing it with graphic biblical and sacramental practices, familiar to religious communities, both then and now.
I don’t know any practicing shepherds, but I understand pastoral spirituality as the gift of empathy and accompaniment, even more than guidance. I cringe when I hear clergy speaking about their congregations as “flock.” This does not bespeak mutual ministry. I do, however, know the experiences of lush meadows and calm waters, wise leadership, the shadow of death, and sacramental grace.
The psalms are part of the Hebrew Scriptures. They are prayers arising from common human experience. In addition to providing a bridge between Judaism and Christianity, most psalms transcend religious particularities. They are songs arising from deep within the human breast, which is why they are a liturgical staple, chanted in worship.
Some years ago, I heard Rabbi Harold Kushner, author of When Bad Things Happen To Good People, speak about this psalm. He emphasized the grammatical shift in the psalm/prayer. It occurs just as the pray-er enters the “valley of the shadow of death.” The pronouns shift from "he" to "thou" from God's serving the supplicant in soothing ways to God's becoming suddenly close and familiar through the use of the second person singular familiar address: you or thou.
Kushner’s son suffered from progeria—accelerated aging, even as a child. Not only is it fatal but it is painfully disfiguring and pathologically counter-cultural. With such a diagnosis, one needs a solid theology of Presence. Kushner wrote about his decision to, well, disempower God—a wise and earthed theology. Most of us maintain a very controlling, intervening idea of God, which escalates when we are in trouble. We want God to make it all better, to intervene in miraculous ways. This seldom happens. What consistently does happen, however, is what the 23rd psalm suggests with its grammatical shift: increased intimacy.
In newer English translations, we lost this awakening sense of divine movement by changing all the pronouns from “he” to “you” immediately after the first couplet. Further, we eliminated all thee/thou/thy language. In most cases I’d favor that, but here the old translation and the old pronoun forms assist the theology: Thou art with me. Lovely, no? It makes me cry.
The Lord is my shepherd;
I shall not want.
He maketh me to lie down in green pastures;
he leadeth me beside the still waters.
He restoreth my soul;
he leadeth me in the paths of righteousness for his Name’s sake.
Yea, though I walk through the valley of the shadow of death,
I will fear no evil;
for thou art with me;
thy rod and thy staff they comfort me.
Thou preparest a table before me in the presence of mine enemies;
thou anoinest my head with oil;
my cup runneth over.
Surely goodness and mercy shall follow me all the days of my life,
and I will dwell in the house of the Lord for ever.
Labels:
Bible,
God,
grammar and theology,
Harold Kushner,
prayer,
Psalm 23
Sunday, April 24, 2016
2016.04.24 The Ultimate Value of Memory
When an old shipwrecked memory emerges to shove its prow into my mind without warning, my heart leaps in recognition. A rush of thoughts and feelings follow.
I’ve wondered if this process was the same for biblical writers. The Bible is one of the most complex, diverse, and complicated memoirs I’ve ever read. All the authors of the New Testament must each have experienced strong and insistent memories—over and over— of being in Jesus’s presence. Then they had collective experiences that swept them off their feet. I’m sure they compared and debated and shared. It took them over 20 years of talking and remembering, and talking some more, selecting, and praying to get Jesus Christ written into gospel form.
My memoir over all took about that long to compile and write and revise and edit—over and over. The structuring process itself was transformative, especially deciding what to leave in and what to leave out, and why, or why not. Written or not written, the memories keep on coming.
Like today, I was sewing a button on my winter coat and my maternal grandmother surfaced. I saw her clearly, her mouth filled with straight pins clinging to her lips for dear life. (The sharp end faced in!) Both her hands were occupied fussing to smooth the fabric, readying it for her straight pins.When she had it plumb and flattened to her satisfaction, she held it down with one hand and with the other plucked a pin from between her lips and inserted it into the fabric to hold her seam in place. She repeated this action many times over—swiftly.
I watched in awe, fearful that one day she would surely swallow a pin. Mesmerized and held in the grip of this dangerous drama, I didn’t move a muscle, though I was itching to ask how she did this? Terrified to interrupt her for fear she would swallow a pin, or several pins, or all the pins, and then we’d have to rush off to the hospital. She might even die—and somehow it would be my foolish fault, or it might be so adjudged.
And how in the world did she manage always to have just the right number of pins in her mouth By the time she decided to use the Singer, invented in 1850 by Isaac Singer, and mass-produced by 1863 so it could be sold to housewives for $10. My grandmother was already an accomplished seamstress. The Singer was the first machine able to sew continuously and also around curves, revolutionizing the art of sewing—but not real stitching, my grandmother said. When she stitched by hand she looked to my young admiring eye to be faster than the machine.
This grandmother, whom I'd named Ga when I was a child, was very close to my mother, her youngest and fourth child, and our family. Ga grew up Marguerite Gordon Hall in Medford, Massachusetts. She eloped at eighteen with her beloved, Avon Franklin Adams, a Jewish impresario, whom she married in New York City in 1891. The Halls of Medford did not approve of this marriage. Nevertheless, the couple settled in Manhattan and had a family.
I can’t say I was fond of Ga, although I coveted her attention. When my younger sister Laurie was born Ga made it a project to make sure Laurie got enough attention, fearing that my mother would favor me. Result: Ga favored Laurie and I was the one who felt slighted. Ah, dynamics!
Ga gave me two miraculous gifts:
1) She created an entire wardrobe for my doll Lucille, must of it meticulously hand-stitched, including a Queen of Hearts costume, just like the one she made for me to wear to a costume party. The costume exactly replicated the playing card. I was small and shy and far from queenly, but the costume pulled it off for me that day. I won first prize for the most original costume.
2) Watching Ga, I learned to sew and conquer my fears of being pricked or crunching a fabric beyond recognition. She was not patient with my mistakes, like sewing a zipper perfectly—into the hemline of a skirt. But I learned, and in time I had as many pins in my mouth as she did. I made the bridesmaids dresses for my sister Jeanie’s wedding. They were white velvet. Believe me, velvet is a fabric that shows no mercy to a seamstress.
Writing memoir is like piecework, as Ga called intricate stitching and piecing odd patterns of fabric together. That’s how I imagine the Bible was put together. There is only one purpose: to faithfully and honestly reveal the relationship between God and Godde’s creation, including the annoyingly persistent relational pattern of connecting, disconnecting and reconnecting, particularly endemic to humanity. Some people call it sin and redemption. I call it the work of the Holy Spirit, whose energy works the between spaces in relationships pulling for healing.
The Mystery of this process is the re-connection. And with Godde it never fails.
I’ve wondered if this process was the same for biblical writers. The Bible is one of the most complex, diverse, and complicated memoirs I’ve ever read. All the authors of the New Testament must each have experienced strong and insistent memories—over and over— of being in Jesus’s presence. Then they had collective experiences that swept them off their feet. I’m sure they compared and debated and shared. It took them over 20 years of talking and remembering, and talking some more, selecting, and praying to get Jesus Christ written into gospel form.
My memoir over all took about that long to compile and write and revise and edit—over and over. The structuring process itself was transformative, especially deciding what to leave in and what to leave out, and why, or why not. Written or not written, the memories keep on coming.
Like today, I was sewing a button on my winter coat and my maternal grandmother surfaced. I saw her clearly, her mouth filled with straight pins clinging to her lips for dear life. (The sharp end faced in!) Both her hands were occupied fussing to smooth the fabric, readying it for her straight pins.When she had it plumb and flattened to her satisfaction, she held it down with one hand and with the other plucked a pin from between her lips and inserted it into the fabric to hold her seam in place. She repeated this action many times over—swiftly.
I watched in awe, fearful that one day she would surely swallow a pin. Mesmerized and held in the grip of this dangerous drama, I didn’t move a muscle, though I was itching to ask how she did this? Terrified to interrupt her for fear she would swallow a pin, or several pins, or all the pins, and then we’d have to rush off to the hospital. She might even die—and somehow it would be my foolish fault, or it might be so adjudged.
And how in the world did she manage always to have just the right number of pins in her mouth By the time she decided to use the Singer, invented in 1850 by Isaac Singer, and mass-produced by 1863 so it could be sold to housewives for $10. My grandmother was already an accomplished seamstress. The Singer was the first machine able to sew continuously and also around curves, revolutionizing the art of sewing—but not real stitching, my grandmother said. When she stitched by hand she looked to my young admiring eye to be faster than the machine.
This grandmother, whom I'd named Ga when I was a child, was very close to my mother, her youngest and fourth child, and our family. Ga grew up Marguerite Gordon Hall in Medford, Massachusetts. She eloped at eighteen with her beloved, Avon Franklin Adams, a Jewish impresario, whom she married in New York City in 1891. The Halls of Medford did not approve of this marriage. Nevertheless, the couple settled in Manhattan and had a family.
I can’t say I was fond of Ga, although I coveted her attention. When my younger sister Laurie was born Ga made it a project to make sure Laurie got enough attention, fearing that my mother would favor me. Result: Ga favored Laurie and I was the one who felt slighted. Ah, dynamics!
Ga gave me two miraculous gifts:
1) She created an entire wardrobe for my doll Lucille, must of it meticulously hand-stitched, including a Queen of Hearts costume, just like the one she made for me to wear to a costume party. The costume exactly replicated the playing card. I was small and shy and far from queenly, but the costume pulled it off for me that day. I won first prize for the most original costume.
2) Watching Ga, I learned to sew and conquer my fears of being pricked or crunching a fabric beyond recognition. She was not patient with my mistakes, like sewing a zipper perfectly—into the hemline of a skirt. But I learned, and in time I had as many pins in my mouth as she did. I made the bridesmaids dresses for my sister Jeanie’s wedding. They were white velvet. Believe me, velvet is a fabric that shows no mercy to a seamstress.
Writing memoir is like piecework, as Ga called intricate stitching and piecing odd patterns of fabric together. That’s how I imagine the Bible was put together. There is only one purpose: to faithfully and honestly reveal the relationship between God and Godde’s creation, including the annoyingly persistent relational pattern of connecting, disconnecting and reconnecting, particularly endemic to humanity. Some people call it sin and redemption. I call it the work of the Holy Spirit, whose energy works the between spaces in relationships pulling for healing.
The Mystery of this process is the re-connection. And with Godde it never fails.
Labels:
Bible,
Jesus,
Memoir,
Singer sewing machine,
stitching art,
The God Between Us
Sunday, April 17, 2016
2016.04.17 Oceanic Wisdom Of Islam in Easter
“The mercy of Allah is an ocean. Our sins are a lump of clay clenched between the beak of a pigeon. The pigeon is perched on the branch of a tree at the edge of that ocean. It only has to open its beak.”
from Minaret, a novel by Leila Aboulela
I love this image of the Divine Being named Allah. It’s in the first small chapter of Aboulela’s novel about Najwa, a Muslim girl from an aristocratic family who has been displaced from Khartoum, Sudan, as was Aboulela, and exiled in the wake of a 1985 military coup. Najwa struggles to adjust to the bustling urbanity of London where she cleans the houses of people who live as she used to live. The minaret in a nearby mosque becomes a symbol of hope and the hijab Najwa had eschewed at home, a garb of pride—and protection.

Minaret is a book about the power of religious symbols and traditional practices to be sturdy steadying anchors—assurances of divine compassion in any storm.
I can identify. When nothing makes sense and I have no sight, I perch, like the pigeon, in a pew, or before my home altar, on the edge of my bed or on a park bench, open my beak, and howl. Aboulela (left) is more quietly passionate.
Some days I feel like the ocean itself—vast and open and also glutted and sated with my own and everyone else’s shipwrecks stored up in my depths. Some days I’m like the pigeon staring into the ocean from a safe perch. I want to call out, assert my presence, but my "beak" is stuck in mushy lumpiness. That’s what I feel like when I am mired in my own sin: the fear of being too exposed, too intimate, too transparent. The fear disconnects me from trusting goodness—in God, myself and others.
Aboulela’s image of sin as clay reminds me of the gray clay we used in kindergarten—all wet and squishy like mud. Our small fingers plunged deeply into the tough clay. It was like a jihad, which in Islam is the spiritual struggle within oneself against sin. I worked strenuously on my lump of clay to mold it into something that looked like something appealing that I could then put in the kiln to dry and take home to present to my parents. All of my great sculptures looked like turtles with longish legs. My mother adored every one, with a little too much adulation. My father stupidly asked what it was. It was a horse, of course! Whatever its identity, my offering fell graciously into the ocean of mercy.
My primary care physician, a Sufi Muslim named Noor, recommended Aboulela’s novel to me. In between listening to my chest for wheezes, taking my vitals, and recording my list of symptoms, she tells me where to go to enjoy the food she loves and recommends things to read. I return the favor. Noor is as sure of herself medically as she is about ethnic foods, spiritual books, and her absolute trust in Allah. Her trust in the unfailing compassion of Divinity is one-way and absolute. Mine is more two-way, favoring a co-creative process between humanity and divinity. Her husband, she says, would agree with me.
Noor, like Najwa in Aboulela's book, draws strength from her infallible faith in the oceanic Allah. Her trust is unswerving and never breaks, no matter the hardships of life on earth. My faith strengthens me, too, as the mercy of God, my Allah, participates with me, to mold my “clay"—even unto death.
Either way, we both end up in the ocean where nothing is ever lost. Everything is nicely salted and preserved—forever. That is the most merciful outcome I can imagine.
from Minaret, a novel by Leila Aboulela
I love this image of the Divine Being named Allah. It’s in the first small chapter of Aboulela’s novel about Najwa, a Muslim girl from an aristocratic family who has been displaced from Khartoum, Sudan, as was Aboulela, and exiled in the wake of a 1985 military coup. Najwa struggles to adjust to the bustling urbanity of London where she cleans the houses of people who live as she used to live. The minaret in a nearby mosque becomes a symbol of hope and the hijab Najwa had eschewed at home, a garb of pride—and protection.

Minaret is a book about the power of religious symbols and traditional practices to be sturdy steadying anchors—assurances of divine compassion in any storm.I can identify. When nothing makes sense and I have no sight, I perch, like the pigeon, in a pew, or before my home altar, on the edge of my bed or on a park bench, open my beak, and howl. Aboulela (left) is more quietly passionate.
Some days I feel like the ocean itself—vast and open and also glutted and sated with my own and everyone else’s shipwrecks stored up in my depths. Some days I’m like the pigeon staring into the ocean from a safe perch. I want to call out, assert my presence, but my "beak" is stuck in mushy lumpiness. That’s what I feel like when I am mired in my own sin: the fear of being too exposed, too intimate, too transparent. The fear disconnects me from trusting goodness—in God, myself and others.
Aboulela’s image of sin as clay reminds me of the gray clay we used in kindergarten—all wet and squishy like mud. Our small fingers plunged deeply into the tough clay. It was like a jihad, which in Islam is the spiritual struggle within oneself against sin. I worked strenuously on my lump of clay to mold it into something that looked like something appealing that I could then put in the kiln to dry and take home to present to my parents. All of my great sculptures looked like turtles with longish legs. My mother adored every one, with a little too much adulation. My father stupidly asked what it was. It was a horse, of course! Whatever its identity, my offering fell graciously into the ocean of mercy.
My primary care physician, a Sufi Muslim named Noor, recommended Aboulela’s novel to me. In between listening to my chest for wheezes, taking my vitals, and recording my list of symptoms, she tells me where to go to enjoy the food she loves and recommends things to read. I return the favor. Noor is as sure of herself medically as she is about ethnic foods, spiritual books, and her absolute trust in Allah. Her trust in the unfailing compassion of Divinity is one-way and absolute. Mine is more two-way, favoring a co-creative process between humanity and divinity. Her husband, she says, would agree with me.
Noor, like Najwa in Aboulela's book, draws strength from her infallible faith in the oceanic Allah. Her trust is unswerving and never breaks, no matter the hardships of life on earth. My faith strengthens me, too, as the mercy of God, my Allah, participates with me, to mold my “clay"—even unto death.
Either way, we both end up in the ocean where nothing is ever lost. Everything is nicely salted and preserved—forever. That is the most merciful outcome I can imagine.
Subscribe to:
Posts (Atom)






